General Store. 4035 Judah Street, Outer Sunset, San Francisco, California, USA.
“There’s a certain person who has this desire to live near the sea,” artist and shop-owner Serena Mitnik-Miller tells me. “It’s hard to explain to people who don’t get it, but it’s important in our lives – an understanding you don’t even need to talk about.“ Serena and her husband and business partner, Mason St. Peter, make living ‘close to nature’ much more than a mantra. “Nature is powerful,” Serena observes, “we are physically part of it – to not consider that as part of your life is ignorant.” A truly holistic approach, both to making art and to the design and running of their San Francisco shop, has helped Serena and Mason create a local and global community. READ MORE
Behind the big picture windows of a chic, dark shopfront, Edinburgers have spotted something new in Stockbridge Village: 1. a giant fridge full of flowers, lit up like a beacon on Edinburgh’s dark winter afternoons 2. a scattering of leafy green plants on tall wooden trollies 3. a big, bright, shiny espresso machine and 4. a bunch of contented coffee drinkers. Many have wondered what strange hybrid of retailer has colonised Stockbridge. Some walk on, slightly suspicious, while a few bravely cross the threshold into a different kind of retail space, as yet unseen in our city. READ MORE
When I first moved to Edinburgh, dark mornings of ‘dreich’ Scottish weather were brightened by an unusual sight on the school run. A smiley, young, bearded dad on a bicycle, cute son bringing up the rear in his own bike seat: a nice enough scene in itself. But the really good bit was that rain or shine, whatever the season, this chap was always wearing a kilt. Not just any old kilt. Never a traditional, run-of-the-mill tartan kilt. No long white socks, furry, hanging sporran or shiny-buttoned ‘Bonnie Prince Charlie’ jacket in sight. No. The kilts this guy wore — every single day, riding that bike — were made in nice heathery tweeds, a smart grey wool pinstripe, sometimes even army camo fabric, blue denim or black leather. Their details were eye-catching, too: some featured big external detachable pockets, reminiscent of cargo/utility trousers, while the trims, linings and often the undersides of the kilt’s pleats showed a flash of eye-catching, contrasting fabrics. He also wore his kilts in a striking, uniquely casual way, with slouchy wool socks, lovely big leather boots (laces artfully undone), and a signature ‘airline seatbelt,’ low-slung round the waist. On the top half, he wore whatever you’d normally wear with a pair of jeans – a leather jacket, a wooly jumper, a cotton shirt with the sleeves rolled up, sometimes with a well-fitted, shorter-cut wool jacket or waistcoat. And of course, for the school run, a florescent ‘high-vis’ jacket, flung over it all. It didn’t take long to find out that this enigmatic figure was Howie Nicholsby, owner of Edinburgh’s 21st Century Kilts. READ MORE
